• Forum Auctions
    A Sixth Selection of 16th and 17th Century English Books from the Fox Pointe Manor Library
    19th June 2025
    Forum, June 19: Euclid. The Elements of Geometrie, first edition in English of the first complete translation, [1570]. £20,000 to £30,000.
    Forum, June 19: Nicolay (Nicolas de). The Navigations, peregrinations and voyages, made into Turkie, first edition in English, 1585. £10,000 to £15,000.
    Forum, June 19: Shakespeare source book.- Montemayor (Jorge de). Diana of George of Montemayor, first edition in English, 1598. £6,000 to £8,000.
    Forum, June 19: Livius (Titus). The Romane Historie, first edition in English, translated by Philemon Holland, Adam Islip, 1600. £6,000 to £8,000.
    Forum Auctions
    A Sixth Selection of 16th and 17th Century English Books from the Fox Pointe Manor Library
    19th June 2025
    Forum, June 19: Robert Molesworth's copy.- Montaigne (Michel de). The Essayes Or Morall, Politike and Millitarie Discourses, first edition in English, 1603. £10,000 to £15,000.
    Forum, June 19: Shakespeare (William). The Tempest [&] The Two Gentlemen of Verona, from the Second Folio, [Printed by Thomas Cotes], 1632. £4,000 to £6,000.
    Forum, June 19: Boyle (Robert). Medicina Hydrostatica: or, Hydrostaticks Applyed to the Materia Medica, first edition, for Samuel Smith, 1690. £2,500 to £3,500.
    Forum, June 19: Locke (John). An Essay Concerning Humane Understanding in Four Books, first edition, second issue, 1690. £8,00 to £12,000.
  • ALDE, June 18: CHAPPE D'AUTEROCHE (JEAN). Voyage en Sibérie fait par ordre du Roi en 1761 contenant les mœurs…, Paris, 1768. €4,000 to €5,000.
    ALDE, June 18: HENNEPIN (LOUIS). Description de la Louisiane nouvellement découverte au Sud-Ouest de la Nouvelle France…, Paris, 1688. €3,000 to €4,000.
    ALDE, June 18: LA BOULLAYE-LE GOUZ (FRANÇOIS DE). Les Voyages et Observations, Paris, 1653. €1,500 to €2,000.
    ALDE, June 18: LE BRUN (CORNELIS DE BRUYN DIT CORNEILLE). Voyage au Levant, c'est à dire dans les principaux endroits de l'Asie mineure..., Delft, 1700. €6,000 to €8,000.
    ALDE, June 18: SAINT-NON (J.-CL. RICHARD, ABBÉ DE). Voyage pittoresque ou description du royaume de Naples et de Sicile, Paris, 1781-1786. €3,500 to €5,000.
    ALDE, June 18: (CALVIN JEAN). SÉNÈQUE. Annei Senecae..., Paris, 1532. €2,000 to €3,000.
    ALDE, June 18: ADRIEN LE CHARTREUX. De remediis utriusque fortunæ, [Cologne, vers 1470]. €5,000 to €6,000.
    ALDE, June 18: GAZA (THÉODORE). [...] Introductivæ grammatices libri quatuor. Ejusdem de mensibus opusculum sanequampulchrum, Venise, 1495. €8,000 to €10,000.
    ALDE, June 18: LACTANCE. De divinis institutionibus. De ira Dei. De opificio Dei. De phoenice carmen, Rome, 1468. €30,000 to €40,000.
    ALDE, June 18: LUTHER (MARTIN). Der Erste [– Achte und letze] Teil aller Bücher und Schrifften des thewren, seligen Mans Doct. Mart. Lutheri, Iéna, 1555-1568. €5,000 to €6,000.
    ALDE, June 18: POLITIEN (ANGE). Omnia opera, et alia quædam lectu Digna, Venise, 1498. €8,000 to €10,000.
    ALDE, June 18: SIDOINE APOLLINAIRE. Poema aureum ejusdemque Epistole, Milan, 1498. €3,000 to €4,000.
  • Sotheby's
    Bibliothèque Jacques Dauchez - Autour de Dubuffet
    5-19 June
    Sotheby’s, June 5-19: Bissière, Roger. Cantique à notre frère soleil de saint François. 1954. 1,000 - 1,500 EUR
    Sotheby’s, June 5-19: Céline, Louis-Ferdinand. La vie & l’œuvre de Philippe Ignace Semmelweis. 1924. Rare édition originale, avec envoi. Joint : La Quinine en thérapeutique, 1925. 4,000 - 6,000 EUR
    Sotheby’s, June 5-19: Céline, Louis-Ferdinand. Mort à crédit. 1936. Édition originale. Bel exemplaire sur Hollande. 2,500 - 3,500 EUR
    Sotheby's
    Bibliothèque Jacques Dauchez - Autour de Dubuffet
    5-19 June
    Sotheby’s, June 5-19: Chillida, Eduardo ─ Emil Cioran. Face aux instants. 1985. Un des 100 exemplaires sur Arches. Eau-forte signée. 600 - 800 EUR
    Sotheby’s, June 5-19: Dubuffet, Jean. Ler dla canpane. L’Art Brut, 1948. Édition originale. 3,000 - 5,000 EUR
    Sotheby’s, June 5-19: Dubuffet, Jean. L'Herne Jean Dubuffet. 1973. Un des 100 exemplaires du tirage de luxe avec une sérigraphie originale en couleurs. 1,000 - 1,500 EUR
  • Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: ALIGHIERI, DANTE / LANDINO, CRISTOFORO. Comento di Christophoro Landino Fiorentino sopra la Comedia di Danthe Alighieri poeta fiorentino, 1481. €40,000 to €50,000.
    Finarte, June 24-25: ALIGHIERI, DANTE. La Commedia [Commento di Christophorus Landinus]. Aggiunta: Marsilius Ficinus, Ad Dantem gratulatio [in latino e Italiano], 1487. €40,000 to €60,000.
    Finarte, June 24-25: ALIGHIERI, DANTE. Il Convivio, 1490. €20,000 to €25,000.
    Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: BANDELLO, MATTEO. La prima [-quarta] parte de le nouelle del Bandello, 1554. €7,000 to €9,000.
    Finarte, June 24-25: LEGATURA – PLUTARCO. Le vies des hommes illustres, grecs et romaines translates, 1567. €10,000 to €12,000.
    Finarte, June 24-25: TOLOMEO, CLAUDIO. Ptolemeo La Geografia di Claudio Ptolemeo Alessandrino, Con alcuni comenti…, 1548. €4,000 to €6,000.
    Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: FESTE - COPPOLA, GIOVANNI CARLO. Le nozze degli Dei, favola [...] rappresentata in musica in Firenze…, 1637. €6,000 to €8,000.
    Finarte, June 24-25: SPINOZA, BARUCH. Opera posthuma, 1677. €8,000 to €12,000.
    Finarte, June 24-25: PUSHKIN, ALEXANDER. Borus Godunov, 1831. €30,000 to €50,000.
    Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: LIBRO D'ARTISTA - LECUIRE, PIERRE. Ballets-minute, 1954. €35,000 to €40,000.
    Finarte, June 24-25: LIBRO D'ARTISTA - MAJAKOVSKIJ, VLADIMIR / LISSITZKY, LAZAR MARKOVICH. Dlia Golosa, 1923. €7,000 to €10,000.
    Finarte, June 24-25: LIBRO D'ARTISTA - MATISSE, HENRI / MONTHERLANT, HENRY DE. Pasiphaé. Chant de Minos., 1944. €22,000 to €24,000.

Rare Book Monthly

Articles - June - 2024 Issue

Free Publishing Vs. Mandatory Deposit, in Australia and The United States

A library staff member searching the book stacks, National Library of Australia.

A library staff member searching the book stacks, National Library of Australia.

In the 19th century, eccentric British collector Sir Thomas Phillipps set out to own a copy of every book in the world. He also wanted every manuscript he could get his hands on. He never quite achieved his goal though he gave it a good run. Now, the Australian National Library seeks to achieve a similar goal. Their goal is somewhat less ambitious as they only seek “to assemble a complete collection of Australian published work.” Still, Phillipps was collecting two centuries ago when there were a lot fewer published works to begin with. As they announced, “From romance novels to historical inquiry, the National Library is legislated to preserve every published word for future generations to find.”

 

The National Library of Australia (NLA) explained, “The National Library recognises that this encompasses more than works by established authors. It includes hidden gems, community newsletters and independently published works. To achieve this goal, the National Library is reaching out to publishers, authors, and the public, urging them to contribute their publications that may be missing from the National collection.

 

“Our shelves (both physical and digital) are filled with treasures. In order to continue to build a collection that is inclusive, diverse, and reflective of all Australian experiences, we need to ensure that Australians know about the obligation and opportunity to have their published works preserved for future generations through legal deposit. This is especially true when it comes to independent publishers who are a little harder to reach,” according to Lynda Carmody representing Legal Deposit.

 

What is “Legal Deposit?” The hapless Mr. Phillipps never had this on his side. Legal Deposit is a law which requires publishers of all sorts of works to give a copy to the national library. It gives the government the authority to demand every work published in Australia, and unlike poor Thomas Phillipps who went broke buying books, the government doesn't have to pay one thin Australian dime for them.

 

Legal Deposit has been the law for over 100 years in Australia, according to the NLA. There are lots of good things about it, they point out. They explain that it enables the National Library “to build a comprehensive resource for all Australians to enjoy,” to “preserve Australia’s published heritage for future generations,” and “make the publications accessible to researchers, scholars, and the public to help understand the Australian experience.” It enables publishers to reach a national and international audience or limit it to specific libraries. All of these are worthy goals, but nonetheless, none of this is voluntary. It's right up there with the legal requirement not to steal or murder people. You have no choice. It's the law.

 

What about America? Do we have such a compulsory requirement too? I'll bet many Americans don't know this, in fact, I bet very few do. Yes, America too has legal deposit, although we call it “mandatory deposit” here. Published works must be deposited with the Library of Congress. This isn't limited to traditional publishing houses but to self-published works as well. If you put a work out there to the public that you run off your computer printer or copier, you are a publisher. How about if you only publish it electronically, on your website or other such source? The answer is still yes, but you may submit an electronic copy rather than a physical one.

 

Since this requirement arises from copyright law, how about if you don't seek a copyright? It doesn't matter, because the law does not require you to apply for a copyright. You get one automatically, and the law applies to all copyrighted works, whether you ask to have them copyrighted or not. There is some uncertainty as to whether you can avoid the deposit requirement by asking your work not be copyrighted, nor how such a request can be made.

 

However, a new wrinkle was added last fall. A small and print-on-demand publisher named Valancourt Books, challenged a demand by the Copyright Office for free copies of a bunch of small run books, of which they retained no copies. Valancourt took the government to court on constitutional claims but lost in the District Court. They then took the case to appeal to the DC Circuit Court and there they won. They made two claims, First Amendment on free speech, Fifth Amendment on taking property without compensation. The appeals court ruled for the publisher. Their decision was based on the Fifth Amendment taking of property. The government tried to argue Valancourt received a benefit in return, copyright protection. The court responded that under today's laws, you automatically get a copyright without submitting anything, so Valancourt got nothing they weren't already entitled to in return.

 

Last month, the Department of Justice informed the Appeals Court that it would not appeal to the Supreme Court. However, in their letter, the Justice Department said it intends to accept electronic copies (since they are essentially cost-free to the publisher). This case applied to undelivered physical books. They also indicated in the future they may claim their demands are providing the benefit of retaining copyright benefits, though it isn't clear why publishers would be at risk of losing them. The government could choose to follow the spirit of the court decision, but it has left open the possibility of hounding publishers for free books despite the Valancort decision.

 

Since the Circuit Court made a decision on Fifth Amendment grounds, it said there was no need to address the thornier First Amendment (free speech) claim. The possible precedents from that claim are of far greater significance, but courts are always looking for the easier way out, as they did here. Stay tuned.

Rare Book Monthly

  • Old World Auctions (June 18): Lot 567. One of the Earliest & Most Desirable Printed Maps of Arabia - by Holle/Germanus (1482) Est. $55,000 - $65,000
    Old World Auctions (June 18): Lot 681. Zatta's Complete Atlas with 218 Maps in Full Contemporary Color (1779) Est. $27,500 - $35,000
    Old World Auctions (June 18): Lot 347. MacDonald Gill's Landmark "Wonderground Map" of London (1914) Est. $1,800 - $2,100
    Old World Auctions (June 18): Lot 1. Fries' "Modern" World Map with Portraits of Five Kings (1525) Est. $4,000 - $4,750
    Old World Auctions (June 18): Lot 539. Ortelius' Superb, Decorative Map of Cyprus in Full Contemporary Color (1573) Est. $1,100 - $1,400
    Old World Auctions (June 18): Lot 51. Mercator's Foundation Map for the Americas in Full Contemporary Color (1630) Est. $3,250 - $4,000
    Old World Auctions (June 18): Lot 667. Manuscript Bible Leaf with Image of Mary and Baby Jesus (1450) Est. $1,900 - $2,200
    Old World Auctions (June 18): Lot 226. "A Powerful Example of Color Used to Make a Point" (1895) Est. $400 - $600
    Old World Auctions (June 18): Lot 290. One of the Most Decorative Early Maps of South America - from Linschoten's "Itinerario" (1596) Est. $7,000 - $8,500
    Old World Auctions (June 18): Lot 62. Coronelli's Influential Map of North America with the Island of California (1688) Est. $10,000 - $12,000
    Old World Auctions (June 18): Lot 589. The First European-Printed Map of China - by Ortelius (1584) Est. $4,000 - $5,000
  • Swann, June 17: Lot 13: Arthur Rackham, Candlelight, pen and ink, circa 1900.
    Swann, June 17: Lot 28: Harold Von Schmidt, "I Asked Jim If He Wanted To Accompany Us To Teach The Hanneseys A Lesson.", oil on canvas, 1957.
    Swann, June 17: Lot 96: Arthur Szyk, Thumbelina, gouache and pencil, 1945.
    Swann, June 17: Lot 101: D.R. Sexton, The White Rabbit And Bill The Lizard, watercolor and gouache, 1932.
    Swann, June 17: Lot 127: Miguel Covarrubias, Bradypus Tridactilus. Three-Toed Sloth, gouache, circa 1953.
    Swann, June 17: Lot 132: William Pène Du Bois, 2 Illustrations: Balloon Merry Go Round On The Ground And In The Air, pen and ink and wash, 1947.
    Swann, June 17: Lot 137: Lee Lorenz, Confetti Hourglass, mixed media, 1973.
    Swann, June 17: Lot 181: Norman Rockwell, Portrait Of Floyd Jerome Patten (Editor At Boy's Life Magazine), charcoal, circa 1915.
    Swann, June 17: Lot 188: Ludwig Bemelmans, Rue De Buci, Paris, casein, watercolor, ink and gouache, 1955.
    Swann, June 17: Lot 263: Maurice Sendak, Sundance Childrens Theater Poster Preliminary Sketch, pencil, 1988.
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