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L. Frank Baum. The Wonderful Wizard of Oz. Chicago and New York: Geo. M. Hill Co., 1900.
L. Frank Baum. The Marvelous Land of Oz: Being an account of the further adventures of the Scarecrow and Tin Woodman... Chicago: The Reilly & Britton Co., 1904.
Edward Bellamy. Looking Backward: 2000–1887.
Alfred Bester. The Demolished Man.
Alfred Bester. Tiger! Tiger!
William Peter Blatty. Advanced Reading Copy of The Exorcist [with:] a copy of the first edition.
James Blish. A Case of Conscience.
Robert Bloch. A Portfolio of Some Rare and Exquisite Poetry by the Bard of Bards.
[Robert Bloch and Wilson "Bob" Tucker, editors]. The Science-Fiction World. Comprising the complete run of six issues from August, 1955 to Spring 1957.
Robert Bloch. Psycho.
Robert Bloch. The Eighth Stage of Fandom.
Hannes Bok [Wayne Woodard]. An archive of 10 lengthy typed letters from illustrator Hannes Bok to the publisher of Fantasy Press, Inc., Lloyd Eshbach, discussing details and technique for various dust jacket projects and other subjects, some illustrated.
Pierre Boulle. La Planete des Singes and Planet of the Apes.
Ray Bradbury, editor. A working production file of the fanzine Futuria Fantasia, Vol. I, #4, comprising original typescripts of each contribution (some with ink corrections), also includes various drafts of mimeograph pages (some with typed corrections, j
Ray Bradbury, editor. Early Bradbury fanzines, comprising Hollerbochen Comes Back and two issues of Futuria Fantasia.
Ray Bradbury. Three inscribed and signed typescripts of short stories published in Dark Carnival, including two carbon typescripts and one typescript.
Ray Bradbury. Dark Carnival.
Ray Bradbury. Six inscribed and signed typescripts of short stories published in The Martian Chronicles, including three carbon typescripts and three typescripts.
Ray Bradbury. The Martian Chronicles.
Ray Bradbury. Five inscribed and signed typescripts of short stories published in The Illustrated Man, including three carbon typescripts and two typescripts.
Ray Bradbury. Fahrenheit 451.